EXHIBITION: BAD STARS

BAD STARS is a new body of work by Christina Battle, a Primary Exhibition of the 2018 Scotiabank Photography Festival.

BAD STARS
Christina Battle
– 09 
For the opening reception, Michael Williams from the Universe Project at the University of Toronto will present a talk on meteorites and the mass extinction at the end of the Cretaceous period, and will detail how studies of meteorites and asteroids have expanded our understanding of the early solar system and the gas and dust cloud it formed from.

 


BAD STARS 
is a new body of work and discursive programming series by London, Ontario-based artist Christina Battle, whose research investigates the limits of disaster. Battle regards disaster as more than a singular event and instead as a framework operating within larger systems of power. The root of the term “disaster” derives from the Greek: dus– meaning “bad,” and aster meaning “star.” For millennia, the movement of the stars have produced a profound and reliant understanding of the terrestrial. Constellations influence the development of navigational structures, and through astrological study, have the potential to both explain and predict events happening on Earth. Disruptions in these understandings are caused by the unprecedented migration of once unfailing stars—now deemed bad stars.

BAD STARS considers disaster through the metaphor of these astronomical “bad stars”—as phenomena that cause unprecedented change from a once-stable structure and influence a wider, interdependent network. To this end, Battle solicits photographic images from a community of artists, scholars, and activists through an email survey. Contributors are asked to provide an image of what they consider the term “disaster” to represents. The image can be vernacular or professional in execution, made or found online, in a book or a magazine. The options are open and endless, allowing space for personalized expressions of what the term evokes and, ultimately, to determine collective meanings. These images of disaster comprise the heart of the exhibition, taking the form of large-scale collage from which the discursive programming will develop.

Considering disaster as a series of linkages extending from environmental, cultural, political, economic, and social conditions, BAD STARS seeks to draw threads between these connections and to consider how they might be realigned in ways that will help to move beyond them. Employing strategies of participation and conversation, an interdisciplinary group of contributors will help forward the discussion by presenting their strategies for actively tackling disastrous incidents in their own communities. BAD STARS seeks to reframe perspectives about these events instead of wallowing in their destructive nature. To that end, the project sees the framework of disaster as an active strategy that can aid in the perspectival shifts necessary to advance beyond the causes of disasters themselves.

 

EVENTS

Saturday, May 26, 2018:

Members of the Indigenous Environmental Justice Project (IEJ Project) will introduce the concepts of environmental justice and will present recent research findings. The IEJ Project is a SSHRC-funded initiative based out of York University whose research aims to develop a distinctive environmental justice framework that is informed by Indigenous knowledge systems, laws, concepts of justice and the lived experiences of Indigenous peoples.

Saturday, June 9, 2018:

The collaborative curatorial project re:assemblage presents a screening of two artists’ works dealing with issues of migration and immigration.

 

BIOGRAPHY

For over 15 years, media artist, curator, arts administrator and educator Christina Battle (Edmonton, AB) has been an active member of a number of communities including Toronto, San Francisco, and Denver and is currently based in London (ON). She has a B.Sc. with specialization in Environmental Biology from the University of Alberta, a certificate in Film Studies from Ryerson University, an MFA from the San Francisco Art Institute, and is currently working toward a PhD in Art & Visual Culture at the University of Western Ontario. With a practice founded in a DIY ethos she sees culture as being entirely dependent on it if it hopes to remain current and progressive. With organizing an active and critical part her practice, Christina has organized events and curated screenings that have traveled across North America. She is a contributing editor to INCITE Journal of Experimental Media; current collaborative projects include re:assemblage with Scott Miller Berry, and SHATTERED MOON ALLIANCE with Serena Lee.

She has exhibited internationally in festivals and galleries, most recently at: 8-11 (Toronto), Nuit Blanche Toronto, Galveston Artist Residency (Texas); Studio XX (Montreal), Le Centre des arts actuels Skol as part of Le Mois de la Photo à Montréal (Montreal), Thames Art Gallery (Chatham, ON), Casa Maauad (Mexico City); SOMArts (San Francisco); Third Space Gallery (New Brunswick); RL Window Gallery (New York); Redline Gallery (Denver); Deluge Contemporary Art (Victoria, BC); The ODD Gallery (Dawson City, YT); Gallery 44 (Toronto); WNDX Festival of Moving Image (Winnipeg); The Images Festival (Toronto); MCA Denver; the Aspen Art Museum; and the Ryerson Image Centre (Toronto).

 

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