Marisa Hoicka – Night Playgrounds

1 Marisa Hoicka image for Night Playgrounds

November 19 – December 11, 2015
Presented at Vidéographe, Montréal
Viewable dusk till midnight daily.
Opening : 
Thursday, November 19, 7pm


Night Playgrounds is a painting and video installation that depicts reenactments of nighttime play at the borders between the private and public. They take place in various urban settings—a public pool occupied after hours, a lush green space dramatically lit by a lamppost, and pink chain link fences suggesting construction zones. Having lived both in Toronto and Montréal, Marisa Hoicka’s depicted scenes are inspired by experiences and activities she has observed in both cities. While her experiences in both places are not homogenous, Hoicka has chosen to focus on the commonalities found when communities seize inaccessible outdoor spaces for their own purposes. As the artist puts it, “These young people use the ‘privacy’ afforded by nighttime of these public urban spaces to break the rules of their intended uses.”

The installation uses the boundaries offered by light and night to open windows into these somewhat private moments. The paintings can be seen during the day; come dusk, the videos—shot by an infrared camera—become visible at night. The latter are inspired by the former, intended to function as time-based paintings, or paintings having come to life. Animating the stillness of the digital and material realms is a desire found in many of Marisa Hoicka’s works. Through combinations of video and sculptural installation, the artist creates artificial worlds in screens that shift back and forth between the tactile and pixelated. For Night Playgrounds, Hoicka reenacts moments of play and social activity that emerge when people take up outdoor spaces marked as private or inaccessible. She stages the Vidéographe windows as a permeable frame between inside and outside—enticing passersby to come close and take a peek.

The paintings, with their rough brushstrokes and vibrant colours, are inspired by the paintings of Romare Bearden, known for his vivid depictions of informal social spaces of African American life during the Harlem Renaissance. Like Bearden, Hoicka juxtaposes and layers patterns and textures upon patterns and textures, attempting to echo the vivid social lives of the communities she’s connected to. Hoicka layers chain link fences with the patterned textiles of her youthful subjects to illicit feelings of inside and outside, permeability, exclusion and the titillation of trespassing.

The bodies in the videos seem neither to be traumatized by the night nor disciplined by boundaries or schedules; they become avatars of secret joys. The fences work both ways: repelling during the day; insulating and sheltering at (and with) the night (which in turn, descending, softly repels the day). Hoicka penetrates this world with an infrared gaze that sees these bodies of light and preserves the distance between them and those of us who have been disciplined and traumatized, so that we can admire them and desire to be them.

As the trend in urban development moves towards the privatization of public spaces in urban centres, and the domain of informal social activity becomes more and more monitored and controlled, these scenes of urban activity point to the possibility of temporary zones of autonomy for exploring new forms of sociality.


Biographies

Marisa Hoicka is an award winning multi-media artist. Her videos have shown at San Francisco’s MoMA, in Berlin, on Air Canada flights and across Canada. She has recently had performative installations at Toronto’s 7a*11d International Performance Art Festival, the Power Plant and MOCCA, and has shown at Heritage Canada.

Vidéographe is an artist-run center dedicated to the creation, dissemination and distribution of independent media art works. Videographe is also one of the oldest media arts Centre in Canada. Its mandate is to encourage innovative practices in media art, video art, short films, interactive and new media arts.  It offers access to media arts production, post production and dissemination equipment, as well as to a multidisciplinary space and a laboratory equipped with electronics for interactive arts. Moreover, Videographe offers the community a partnership program as well as specialized and customized training courses. For its members, it offers generous creation support programs and several other benefits.  Its members include artists in the media arts, visual arts, dance, theatre, as well as in other forms of non-disciplinary arts. www.videographe.qc.ca


Night Playgrounds is the second of two projects by Toronto-based artists curated by Trinity Square Video for Vidéographe’s window projects gallery. 

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