A Space
To Re-imagine
Media Arts


THE IMAGINARY & THE SYNCHRONOUS: working with accounts of the self in video performance (2 PARTS)

Autobiography is used as the means to explore Video Performance in this online
workshop of The Imaginary and the Synchronous. As the starting off point, an
object/s that represents an aspect of your life will be linked to this event or
characteristic-connecting it to a wider socio-political platform. Participants will
shoot videos at home with their cell phone cameras.  After uploading the video,
participants will return the following week to view each other’s video and discuss the
impact of the process and results.

Image Credit: Irene Loughlin rich 2008 washington square ny photo Ana Teixeira 2009

THE IMAGINARY & THE SYNCHRONOUS: working with accounts of the self in video performance (2 PARTS)
Irene Loughlin
November 6, 2022 - November 13, 2022
1:30 pm - 3:00 pm
This workshop is ONLINE; a link to the workshop will be emailed prior to the workshop.

COST: $50 Member / $75 Non-Member
To register email milada@trinitysquarevideo.com
To be registered, you must be paid up in full. NO REFUNDS GIVEN for CANCELLATIONS made with less than 5 business day
Trinity Square Video is committed to providing an equitable & barrier-free space. If you are unable to afford these workshops, please reach out & email milada@trinitysquarevideo.ca to procure a barrier-free spot.

TSV’s workshops may be subject to changes in the schedule, instructor, or content. If so, Trinity will refund full workshop payment to participants who are unable to make the rescheduled dates or should the program be cancelled. Workshop registrants will be notified in advance of any changes or cancellations.


Irene Loughlin

Irene Loughlin is an artist, writer, and cultural worker. She holds an MVS from the
University of Toronto, a BFA from Simon Fraser University, has attended the SVA and NSCAD Studio Programs in New York, and is an alumni of OCAD. Her art practice and research interests centre upon investigations of performativity, colonialism, feminism
and resistant, ecological and neurodiverse perspectives within contemporary art. She
works with visual imagery that comments upon our contemporary emotive discourse.